Category Archives: New Music

Belle Adair – Long Fade Out

Long Fade Out by Belle Adair is today’s Track of the Day.

One of the few Facebook groups I belong to is the Big Big Train group, the forum for “listeners of progressive band Big Big Train“. Whilst a lot of the discussions on the group revolve around prog, sprouts & chocolate,the main reason I enjoy this group so much is the amount and variety of new music I’m introduced to by fellow group members, or “passengers”.

Long Fade Out by Belle Adair is one such track. I had heard of Belle Adair prior to today. I’m a big fan of John Paul White (have I ever told you, I’ve seen him live?) and Belle Adair are one of the artists on his Single Lock Records label, so I’d come across them whilst browsing the Single Lock Records website, but hadn’t checked out their music. I am doing now!

The Facebook post that shared the link to the song suggested that fans of The Byrds, Jayhawks and Teenage Fanclub would enjoy the track. I’m big Teenage Fanclub  (have I ever told you…) fan, I like a lot of what The Jayhawks have released and who doesn’t like The Byrds? So I had to give this track a listen!

Long Fade Out is the second track on Belle Adair’s 2017 album, Tuscumbia and is a song that hooked me straight away on my first listen. I can definitely see the Teenage Fanclub reference and having listened to the whole album on Spotify I can see why the blurb on the Single Lock Records website mentions that Tuscumbia offers “hints at times of southern California country and even vintage Britpop”. Mind you, I’m not sure I’d class Teenage Fanclub as Britpop!

 

 

 

 

 

Tuscumbia was recorded at Muscle Shoals’ legendary FAME Studios. Now that is a place that is on my bucket list! Talking of Muscle Shoals, having read a bit more about Belle Adair, I found out that they recently backed fellow Single Lock Records artist and Muscle Shoal legend, Donnie Fritts, whose album, Oh My Goodness I bought last year. They also toured as John Paul White’s band. Frontman Matthew Green also went on tour with Dylan LeBlanc, another Single Lock Records artist. I bought Dylan LeBlanc’s album, Cautionary Tale, last year as well, and that album’s just brilliant!

Listening to the album, you can tell this is a band that are used to playing often with each other, which probably explains how they managed to record the album in just a week. I’ve given the album a couple of listens now on Spotify and it’s one I’m adding to my ever increasing list of albums to buy, but in the meantime..

I’m adding Long Fade Out by Belle Adair to my 2018 Track of the Day playlist

 

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Calexico – The Town and Miss Lorraine

The Town and Miss Lorraine by Calexico is today’s Track of the Day.

It comes from Calexico’s latest album, The Thread That Keeps Us. I bought the album, on vinyl, a couple of weeks ago. And with the download came seven bonus tracks.

 

 

 

 

 

I’ve only really got into Calexico over the past couple of years, I loved their 2015 album, Edge of the Sun, particularly Falling from the Sky, which is still regularly on my playlist. And I’ve got their 2012 Algiers album in my collection, but nothing earlier than that.

 

 

 

 

There isn’t a duff track amongst the album’s 15 songs and seven bonus tracks, but the one that stands out for me is The Town and Miss Lorraine. I have to confess I’m not sure what The Town and Miss Lorraine is all about, but it evokes such imagery from the opening line “I found a book in a washed up ship” through to the “bad accident on the interstate”  to the closing line “Watching Miss Lorraine
Smoking alone with the moon”.

It’s sung with a well mournful, longing voice and a simple backing, it reminds a little of a Jimmy Webb type composition, which is no bad thing!

And for some strange reason, it reminds me of Tell Laura I Love Her by Ricky Valance

Here’s a video of the band performing The Town and Miss Lorraine

Brilliant or what?

And that’s why The Town and Miss Lorraine by Calexico is my Track of the Day, I love it!

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The Tillers – Revolution Row

Revolution Row by The Tillers is my Track of the Day.

It’s a track taken from their forthcoming self-titled album being released on March 23rd.

The Tillers were the first band I saw live when I moved to Cincinnati three and a half years ago, to say they blew me away was a bit of an understatement. I’ve seen them numerous times since at venues around the area, including my local record store, Plaid Room Records, at their Sayler Park Sustains Festival and on Pokey LaFarge’s Central Time tour. Each time I’ve seen them, they’ve played an excellent set and have had a great rapport with the crowd.

Being a Brit, I’m not always sure about some of the places and people The Tillers sing about, but I’ve probably found out more about real Cincinnati/Ohio River history from their lyrics than any history textbook.

I’ve always been a fan of what I call “peoples’ bands”, bands that have a devoted loyal following with their feet well and truly on the ground that sing songs about real people and real situations, and bands that toured and played live relentlessly to hone their craft Back in the UK, I was a big fan of Lindisfarne, then the Saw Doctors, from Ireland, and more locally from my home county, The Band From County Hell.

When I came to Cincinnati I wondered whether I would find a similar such band, and in The Tillers I did. I’ve bought three of their albums so far, By The Signs, Live at the Southgate House Revival and most recently Hand on the Plow.

There’s a neat piece in No Depression about The Tillers and I can’t wait to hear their new album, but in the meantime, take a listen to this:

How good was that?

Pretty damned good if you ask, and that’s why  Revolution Row by The Tillers is being added to my Track of the Day 2018 playlist

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Blue Rose Code – Ebb and Flow

My Track of the Day for today is Ebb and Flow by Blue Rose Code.

Ebb and Flow is taken from Blue Rose Code’s latest album, The Water of Leith.

Have I ever told you.. Yes, I’ve seen Blue Rose Code live. It was at the Hard Rock Cafe in Nashville, as part of a BBC Introducing showcase, during the 2013 Americana Music Festival. and very good they were too!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Apart from the odd track on the radio, I’ve not heard much of Blue Rose Code since then, until they were mentioned on the Big Big Train Facebook group. I checked them out again and came across the video for Ebb and Flow. Check this out, and see what a great positive upbeat tune this is!

Told you! And that’s why Ebb and Flow by Blue Rose Code is my Track of the Day!

 

 

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Tomorrow We Sail – The Harbour

The Harbour by Tomorrow We Sail is my Track of the Day for today.

After posting on twitter a couple of days ago about the Lost Horizons track, Stampede, featuring Hazel Wilde, I got a number of likes and retweets, including a like from Hazel Wilde herself. On the twitter feed, she had a link to the new album by Tomorrow We Sail, called The Shadows which had originally been tweeted by Angela Chan, a member of both Lanterns on the Lake and Tomorrow We Sail.

Well I spent just all about all yesterday afternoon and evening listening to both Tomorrow We Sail and Angela Chan. There’s some great stuff on Angela Chan’s website. She’s got three sample Soundcloud playlists, I particularly enjoyed her “recent” selection, which you can check out below:

How good is that?

As for Tomorrow We Sail, I’m loving what I’ve heard so far, I think there could be another piece of vinyl winging it’s way across the Atlantic when The Shadows is released in February. In the meantime, I bought their House Music Vol.1, which is pretty damned amazing, especially the second track White Rose

 

 

 

 

 

I also downloaded a couple of free tracks, Saturn and The Harbour , which were released just before Christmas. Both of these are great as well, but The Harbour just nudges it as my favorite

 

So today’s addition to my Track of the Day 2018 playlist is The Harbour by Tomorrow We Sail

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Eyelids – Tell Me You Know

Tell Me You Know by Eyelids off their album Or is today’s Track of the Day.

 

 

 

 

 

I came across Eyelids this morning when going through The Decemberists‘ Twitter Feed. Up until then I’d never heard of them! I’ve got most of The Decemberists albums in some form or other, mainly CDs and downloads, but I did get the Offa Rex album, Queen of Hearts, on vinyl. This is an album that The Decemberists did with my fellow Brit, Olivia Chaney, and has been nominated for Best Folk album at thus year’s Grammys.

 

 

 

 

 

As for Or, Eyelids second album, which was produced by a certain Peter Buck, it’s an album that hooked me straight away. A number of reviews mention the band’s Big Star influences, which is why I see a similarity between Eyelids and Teenage Fanclub, one of my favorite British bands, who were also heavily influenced by Big Star.

This is an album with no filler tracks at all, so choosing a favorite was hard but in the end I opted for Tell Me You Know. It’s got a wicked intro, which had me thinking of David Bowie’s The Man Who Sold the World. To me it’s the perfect Guitar Pop record, I love it!

So I’m adding Tell Me You Know by Eyelids to my Track of the Day 2018 playlist.

 

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Frontier Folk Nebraska – Ghost on the Tap

Ghost on the Tap by Frontier Folk Nebraska is today’s Track of the Day.

I heard this for the first time earlier this afternoon, it was the last track played on this week’s edition of the  Cincy Music Spotlight podcast, hosed by Venomous Valdez.

Prior to this I’d never heard anything by Frontier Folk Nebraska, but have to say I was blown away by this track. Having looked at their website, it looks like this track was released as part of a Record Store Day split single with The Tillers, one of my favorite local bands. The vinyl is sold out, so I’ve just downloaded the track from their Bandcamp page.

As I type this I’m listening to their Live at the Southgate House Revival album and it’s a corker. This is one band I’ll be checking out later this year for sure.

One thing is for sure, they ain’t a folk band! And they’re from just over the river in Covington, Kentucky.

So check this out, my Track of the Day is Ghost on the Tap by Frontier Folk Nebraska

 

 

 

 

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Spending that gift card…

Being a vinyl lover, one thing I’m guaranteed to get every Christmas is a gift card or voucher for the local record store and this year was no exception, so I had my usual early January dilemma last Saturday, what do I get?

My step-son got me a $50 gift card for Plaid Room Records, my favorite record store in the Cincinnati store, and after a fair amount of deliberation, here’s what I came back with:

Robert JohnsonKing of the Delta Blues Singers.

 

 

 

 

 

 

 

Looking through my collection, I’ve only got one track by the person Eric Clapton called “the most important blues singer that ever lived”. And that is Terraplane Blues on a 10″ single that New West Records released for Record Store Day in 2015, which had the original Robert Johnson version on one side and a Steve Earle version on the other. So when I saw this collection, I had to have it. I’ve just been reading the sleeve notes and it mentions that a lot of what is known about Robert Johnson came from either Muddy Waters or Will Shade of the Memphis Jug Band, both of whom I bought albums by in 2017.

Sharon Jones and the Dap-KingsSoul of a Woman released on Daptone Records

 

 

 

 

 

 

 

I’d meant to get a copy of this on it’s release in November 2017, but forgot all about it in all the Christmas and New Year activities. Again, other than a few Christmas singles and a track on the Oxford American Southern Music CD Issue No.17, featuring Georgia, I had no Sharon Jones in my collection, so this was a must buy too.

Porcupine Tree – On the Sunday of Life…released by Kscope

 

 

 

 

 

 

 

I don’t usually buy much proggy stuff on vinyl these days, with the notable exception of Big Big Train, so I thought I’d indulge myself with this, the debut album from Porcupine Tree. I’ve got one Porcupine Tree album in my collection, In Absentia, and a couple of Steven Wilson albums, The Raven that Refused to Sing and a Sampler released in 2015. The debut album, although released as Porcupine Tree, is to all intents a Steven Wilson album, consisting of tracks from two previously released cassettes called Tarquins Seaweed Farm and The Nostalgia Factory. I’ve listened to the album a few times now, admittedly in installments, as it’s a double album. It’s a well weird album, spacey and trippy are the first words that spring to mind, with Pink Floyd, Hawkwind and Genesis influences readily apparent, to me anyway! The standout track to me is Nine Cats, so I’m adding Nine Cats by Porcupine Tree as today’s addition to Track of the Day playlist

And here’s an acoustic version from their Insignificance compilation

 

 

 

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S.Carey – Fool’s Gold

Fool’s Gold by S.Carey is today’s Track of the Day. It’s taken from his album Hundred Acres which is released on the Jagjaguwar label on February 23rd.

Sean Carey used to be drummer and backing vocalist for Bon Iver, not sure whether he still is, but that gives me an excuse to show this…

 

Have I ever told you… – Yes, I was at the Glastonbury Festival and saw Bon Iver’s amazing set, which featured S.Carey on drums.

Looking through my music collection, I’ve got his first album, All We Grow, which I bought after hearing a track, In The Dirt, on the TV series, House. I’ve also got his most recent release, the Supermoon EP, from 2015, which includes a wicked version of Radiohead’s Bullet Proof. I did a post about that release a couple of years ago, check it out here

One of the things I like about the Jagjaguwar label are their extensive notes on their artists’ releases. Check out the blurb on Hundred Acres

I can’t wait for the album, but in the meantime, Fool’s Gold by S.Carey is today’s addition to my Track of the Day playlist

 

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Erika Wennerstrom – Extraordinary Love

Extraordinary Love by Erika Wennerstrom is today’s Track of the Day. This is another one of those tracks I discovered on my Facebook feed, this time the recommendation came from 89.7 WNKU, my go to radio station since I moved to Cincinnati in September 2014 through to it’s demise last October. I need to write a post about that station, watch this space!

Extraordinary Love is the first track to be released from Erika Wennerstrom’s forthcoming album, Sweet Unknown on the Partisan Records label This is her first solo album, for the past fifteen years she’s been leading the Heartless Bastards, who were initially formed in Cincinnati. They are now based in Austin Texas, but I did see them perform in Cincinnati a couple of years ago at the Midpoint Music Festival. If I remember rightly they performed in the grounds of the Christian Morelein brewery. At the time they were touring their Restless Ones album, which I bought a few days later and I still play on a regular basis.

As for Extraordinary Love, it’s an amazing track, lasting over six minutes, which, according to a Rolling Stone article was inspired a trip Erika Wennerstrom took through the Amazon, on an Ayahuasca retreat. OK, I have to admit that until reading the Rolling Stone article, I had no idea what Ayahuasca was.  A quick bit of research on t’interweb revealed that it wasn’t something I could indulge in, either here in the USA or back home in the UK.

The Rolling Stone article describes the track as a “droning technicolor epic” which is a pretty accurate description and I can’t wait to hear the full album when it is released in March.

In the meantime, here’s the video which supported the release of Extraordinary Love by Erika Wennerstrom.

And here’s my Track of the Day playlist:

 

 

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